Nationwide v. Spectacular Youth Subcultures
This interesting curio popped into my YouTube timeline for reasons I can only guess. Dating from 1980, it’s a Nationwide episode featuring Mods and Rockers “rioting”, according to the Presenter “in many of Britain’s seaside resorts” (Scarborough and Southampton are featured).
Nationwide, if you’re not familiar with the name, was a BBC early-evening (6 o’clock) programme that combined national and regional news segments into a pioneering magazine format, with a mix of news, (light-touch) political analysis, consumer affairs, light entertainment and sports reporting.
It could fairly be described as a bastion of Keep Calm and Carry On Britishness (but mainly Englishness) with its reach – the lofty aim of linking several regional studios in real time – frequently exceeding its grasp (“technical issues” became a fairly standard feature of the programming). To add to the overall feeling of Britishness, one of its presenters, “Uncle” Frank Bough, was caught in a tabloid sting attending “sex parties” and indulging in industrial quantities of cocaine.

But I digress.
The short (9 minute) feature is notable for one of the few times on British TV that “Mods, Rockers, Punks and Skins” have appeared on-screen at the same time. This was, perhaps, the final flowering of Spectacular Youth Subcultures. It also included one of the few mentions on UK TV of “Soul boys” – the stylish, funk‑driven, dance‑obsessed evolution of Northern Soul. Soul boys were modern (in the way that Mods really weren’t, as they looked backwards to “a lost era of working-class identity and culture”, according to Simon Frith), multi‑racial (they embraced American Soul music and Black artists) and central to Britain’s early‑80s club culture. They were, of course, hated by pretty much every other youth subculture going (with the possible exception of some Punk spin-offs who similarly embraced US and Caribbean Black musical styles).
The “interview” with assorted youth subcultural stereotypes was conducted by John Stapleton who many credit with being the prototype for Steve Coogan’s Alan Partridge. As you may be thinking, this film works on so many different levels for so many different groups.
To add a bit of context for all the moral panicing, a few days previous to the broadcast there had been a serious outbreak of rioting (the Real Thing this time) in the St Paul’s district of Bristol over allegations of heavy-handed, raciially-discriminatory, policing. A year later, in 1981, would see the Brixton Riots in London…






















































