All of the stuff on offer here is what I’d generally call “Texts for Teachers” in the sense they’re likely to appeal – in all or more-likely part – to anyone teaching the sociology of the media. None are what I’d classify as “Media Sociology” texts, per se, but all in their different ways can be plundered for information that could be relevant to a-level / high school sociology – from simple reference material on stuff like media effects and audiences to more-specialised material on media violence and digital sociology.
Textbooks
Understanding Media and Culture: An Introduction to Mass Communication (2010): Released under a Creative Commons licence, which basically means you’re free to copy it, this text covers many different aspects of Media and Mass Communication (film, magazines, newspapers and the like) as well as looking at stuff like media ethics, the development of new technologies, media censorship and so forth. Of most interest to sociology teachers and students will probably be the chapters covering popular culture and media effects – but it’s an interesting read overall.
Key Themes in Media Theory (2007): If you want to get up-to-speed on a range of media theory – from the classic (2-step flow…) through the contemporary (various forms of postmodernism) to the culturally consumerist (Fiske, Bourdieu…) this may well help you out.
Understanding Violence: Contexts and Portrayals (2009): Pretty much everything – and then some more besides – you’d ever want to know about violence and the media covered in a wide range of discrete chapters you may want to dip into and out of.
The SAGE Dictionary of Cultural Studies (2004): If you need concise definitions of media terms (from active audience to media values) or potted histories of media theorists (Habermas, Hebdige, Hall, Haraway – other letters of the alphabet are available) this is a useful place to begin.
Communication, Cultural and Media Studies (2002): In a similar vein, the focus here is on Key Media Concepts (including things like culture, cultural capital, popular culture plus a whole load of other stuff that’s less-likely to be of interest to sociologists). Each Key Concept is explained at varying, if usually reasonable, length.
Media Studies 101 (2018): Another textbook released under a Creative Commons licence, this is both more-tightly focused on “Media Studies” than “Media Sociology” and aimed at a first-year undergraduate (American) audience. While most of the material isn’t particularly relevant to a-level teaching (unless you’re into critical dissections of Habermas), there’s plenty here on things like Audiences and Effects you might find useful.
Media, Society, Culture and You (2018): A relatively short (100+ pages) media text released under a Creative Commons licence that is not so much a media textbook as an interesting, fairly chatty, trawl through a range of media-related ideas, concepts and theories. Probably better filed under the heading of “an interesting and informative read” than “a textbook that’s going to get someone through an exam”. Although you never know.
Chapters
Perceptions of Media and Media Effects (2013): This chapter, unceremoniously ripped (probably) from the virtual pages of the massive “International Encyclopedia (sic) of Media Studies” offers a slightly-different take on standard “media effects” theories by outlining three broad theories (mainly, but not exclusively, with a definite psychological derivation) you might find useful and interesting: audience trust, hostile media and perceived media models.
Introducing Digital Sociology (2013): A chapter that eventually found its way into “Public Sociology: An Introduction to Australian Society”, Deborah Lupton provides an interesting, if not always very accessible, introduction to “digital sociology”, including a useful section on the digital optimism / pessimism debate.
Gender Stereotypes: Masculinity and Femininity (2004): An interesting trawl through a wide-range of masculine and feminine media stereotypes from which it’s possible to derive a whole shed-load of interesting ideas about how masculinity and femininity has been variously represented over the past 50 or so years.