Around 10 years ago I was contacted by a French film student asking permission to use something I’d written about social control as the basis for a Sociology lecture to be featured in a short film they were producing and directing.

I’d forgotten all about it until I was rooting around in a bookcase looking for something I’d lost and came across the DVD.

I remember being both taken aback and impressed by the film at the time and, on viewing it again after a gap of a few years, I still like what the director has done, both overall in terms of the look and feel of the film and, more specifically, in turning some simple a-level Sociology notes into something more brooding and menacing than anything I ever achieved during my 15 or so years in the classroom.

Although this is a film about “social control”, I’m still not entirely sure about its actual meaning – although that, of course, could be the point if you subscribe to a Barthesean view of the world.

The postmodernic layer of meaning-upon-meaning vibe is also enhanced by the fact that while, quantitatively, I wrote the spoken script, qualitatively, it was nothing to do with me: I played no part in its production save to provide the text that was then shaped and sculpted by the actual writer into the film you’re about to watch.

Overall, the film’s a bit weird (and then some), but I like it for its striking visuals, black-and-white visualisation and the odd sensation of hearing what were essentially some rather dull lecture notes given a new and rather wonderful sense of being.

Or something.

Maybe I’m getting a little bit carried away by the whole French auteur thing?

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